Review: The Joy Formidable – AAARTH
AARTH shows the Joy Formidable pushing out of their comfort zone while still retaining the raw power and dynamic shifts found on Hitch.
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AARTH shows the Joy Formidable pushing out of their comfort zone while still retaining the raw power and dynamic shifts found on Hitch.
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Interpol’s sixth album Marauder is a blend of their early 2000s heyday and the less angular El Pintor that shows the band evolving with confidence.
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Death Cab’s ninth studio album Thank You for Today is more of exactly what you’d expect from the seasoned indie rockers.
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More personal and forthright than its predecessor, Tell Me How You Really Feel relies less on its witty lyrics and more on improved songwriting that showcases a diverse set of rock instrumentation.
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A little less rough around the edges, Wide Awake! shows that it wasn’t rawness that gave Parquet Courts their appeal, but rather genuinely compelling songwriting and inventive approaches to punk attitudes.
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Tranquility Base Hotel & Casino is Arctic Monkeys meets Las Vegas lounge in space. If you can approach that with an open mind, you’ll realize how much they’ve made their lofty ambitions work.
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The Vaccines’ fourth album Combat Sports combines styles past and present to make an album that doesn’t necessarily push the envelope, but comfortably fulfills its modest ambitions.
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Virtue tones down the excesses of the Voidz’s debut to deliver an album that is ultimately more accessible but less compelling.
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On third solo album Boarding House Reach, Jack White lays waste to our expectations about his music, but you might not like the results.
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A Productive Cough is an altogether accessible and forthright album that shows a new side of Titus Andronicus, but compared to the band’s previous highs, it can sometimes feel like half a masterpiece.
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Fourteen years after exploding into the indie rock world, Always Ascending shows the band taking a cautious step into the current decade.
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Whenever Brand New makes an announcement or otherwise enters public discourse in some way, you’re almost guaranteed to hear someone reminiscing about their high school days. This is understandable, since Brand New and fellow Long Island emo titans Taking Back Sunday wrote some top-notch tracks that perfectly encapsulated teenage angst. Brand New’s 2001 debut Your
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