Review: Karen O & Danger Mouse – Lux Prima
Lux Prima is the rare collaboration that highlights both artists’ strengths without showing compromise from either.
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Lux Prima is the rare collaboration that highlights both artists’ strengths without showing compromise from either.
Review: Karen O & Danger Mouse – Lux Prima Read More »
Everything Not Saved Will Be Lost Part 1’s skillful incorporation more of electronic elements than Foals have ever used before will leave you pumped for volume 2.
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As Panda Bear’s most experimental album in 15 years, the largely acoustic guitar-based Buoys is soothing, subdued, and ultimately stale.
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Gallipoli might promise visions of European sophistication and exoticism, but its already well-explored musical terrain makes it feel much more familiar.
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For better or worse, Razorlight has released an album that has seemingly time traveled from 2006 with Olympus Sleeping.
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TPC once again tries to upend everything you’d expect from a Tokyo Police Club album…just like its predecessors.
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Interpol’s sixth album Marauder is a blend of their early 2000s heyday and the less angular El Pintor that shows the band evolving with confidence.
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Death Cab’s ninth studio album Thank You for Today is more of exactly what you’d expect from the seasoned indie rockers.
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Part soundtrack and part concept album, Animal Collective’s 11th effort flows between calm and distressing on its journey beneath the waves.
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More personal and forthright than its predecessor, Tell Me How You Really Feel relies less on its witty lyrics and more on improved songwriting that showcases a diverse set of rock instrumentation.
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A little less rough around the edges, Wide Awake! shows that it wasn’t rawness that gave Parquet Courts their appeal, but rather genuinely compelling songwriting and inventive approaches to punk attitudes.
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Tranquility Base Hotel & Casino is Arctic Monkeys meets Las Vegas lounge in space. If you can approach that with an open mind, you’ll realize how much they’ve made their lofty ambitions work.
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