If you’re an already-established Broken Social Scene fan, Old Dead Young: B-Sides & Rarities is essential listening
Review: Broken Social Scene – Old Dead Young: B-Sides & Rarities Read More »
I didn’t think 2021 was all that great a year for music. Here are a few good indie albums and songs from the year.
Some Good Music from 2021 Read More »
The Vaccines’ fifth album Back in Love City expands their sound even further, doing so from the most unexpected of places.
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The Killers’ seventh country-fied album Pressure Machine is about as far as you can get from the bright lights of Vegas
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Modest Mouse’s seventh studio album The Golden Casket mashes the band’s radio-friendly and downright weird sides together, to say the least.
Review: Modest Mouse – The Golden Casket Read More »
You’ll be glad Kings of Convenience are back after 12 years, but Peace or Love doesn’t surpass the duo’s 2000s releases.
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You might not have even noticed they were gone, but Islands are back and better than ever on Islomania.
Review: Islands – Islomania Read More »
Is 4 Lovers has the trappings of a new Death From Above 1979 to lead us into the 2020s, but spends most of its time recalling the band’s early intensity
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I try to listen to as much music as I can from my favorite artists. This can sometimes be a frustratingly difficult endeavor.
Why It’s Hard to be a Music Completionist (Or, the Case for More B-Side Compilations) Read More »
The Indiecator’s top albums of 2020, in a slightly different format for this terrible year for music
Top Albums of 2020 Read More »
We Will Always Love You’s embrace of musical guests makes it a good pop album, at the expense of the Avalanches’ presence and charm
Review: The Avalanches – We Will Always Love You Read More »
Serpentine Prison shows a new side of Matt Berninger, but it’s hard to imagine anyone other than existing fans of the National picking it up.
Review: Matt Berninger – Serpentine Prison Read More »