While 2016 has been generally considered a terrible year for humanity, it at least gave it us some great albums that we will remember for years to come, and hopefully disassociate from the events that have occurred these past twelve months. This is not a list of those albums. Instead, this list is for great […]
The Top 10 Songs of 2016 (That Aren’t from the Top 10 Albums) Read More »
Pitchfork recently released their “Best Music Videos of 2016” countdown, and I couldn’t help but feel the list will be strongly correlated with their top albums and top songs lists, and not based on the merit of the videos alone. This seems to echo the trend of MTV’s Video Music Awards, where popular artists dominate
Top 10 Indie Music Videos of 2016 Read More »
STRFKR (formerly known as Starfucker before vowels fell out of fashion) never wanted to be pinned down or confined to any single box. In an interview, frontman Josh Hodges declared that the band’s mission was to create “dance music that you can actually listen to, that’s good pop songs, but also you can dance
Review: STRFKR – Being No One, Going Nowhere Read More »
Empire of the Sun are known for three things: creating album art and publicity photos so over the top they’re awesome, wearing flamboyant costumes at all times, and making some pretty good electronic music. For now, let’s focus on that last point. Empire of the Sun combines Luke Steele of alternative rock band the Sleepy
Review: Empire of the Sun – Two Vines Read More »
Conor Oberst is a man of many faces. He’s best known as the founder and frontman of the band Bright Eyes, whose angsty, acoustic guitar-driven “emo” songs reached peak popularity in the early to mid-2000s. This of course oversimplifies the band’s music, which mellowed and matured significantly over the years, but the association remains. There’s
Review: Conor Oberst – Ruminations Read More »
Bands all deal with fame in different ways. Some embrace it, and actively cultivate their following, while others shun the limelight. For Irish rock group Two Door Cinema Club, it turned out to be too much of a good thing. Their 2010 debut album Tourist History propelled the band to fame with a dance-rock
Review: Two Door Cinema Club – Gameshow Read More »
It’s been nearly a decade since Bon Iver first released music that made their name a cultural touchstone, or at least an indie music touchstone. If that seems like a strong word choice, realize that many see frontman Justin Vernon as the perfect indie music archetype or stereotype (depending on who you ask). In a
Review: Bon Iver – 22, A Million Read More »
Kaoru Ishibashi, the man behind Kishi Bashi, has been one of the most upbeat guys making music since he hit the scene with his 2012 debut 151a. As a former touring member for of Montreal, he combined their whimsical energy with the violin looping techniques of Owen Pallett to create intricate yet cheerful melodies. He
Review: Kishi Bashi – Sonderlust Read More »
Indie music is frequently mocked for its pretentiousness. After all, what other vaguely-defined genre seemingly awards points based on obscurity and is full of songs that sound like they were written with a thesaurus in one hand and an encyclopedia in the other? The following songs don’t really shatter this stereotype. At least they’ll
Top 10 High-Vocabulary Indie Songs Read More »
Typically when one person leaves a musical duo, you’d expect that to be the end of the band. After all, it’s hard to imagine the White Stripes without either Meg or Jack, Death From Above 1979 without Sebastian Grainger’s vocals or Jesse Keeler’s trademark distorted bass, or Flight of the Conchords without Bret or Jemaine.
Review: Crystal Castles – Amnesty (I) Read More »
Getting too attached to one of Montreal’s albums is generally a bad idea. During their 19 years on the scene, the band – or rather, sole consistent member and frontman Kevin Barnes – has released a total of 14 studio albums, constantly changing their style throughout. Starting with simple acoustic guitar ditties, Barnes then
Review: Of Montreal – Innocence Reaches Read More »
It’s always a strange feeling to hear that a band with a markedly long absence is going to be releasing a new album. The bar is almost always set impossibly high, since listeners are likely going to reminisce about where they were when the band last dominated musical conversations. Last year the Libertines released Anthems
Review: The Avalanches – Wildflower Read More »
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