A Productive Cough is an altogether accessible and forthright album that shows a new side of Titus Andronicus, but compared to the band’s previous highs, it can sometimes feel like half a masterpiece.
Review: Titus Andronicus – A Productive Cough Read More »
Fourteen years after exploding into the indie rock world, Always Ascending shows the band taking a cautious step into the current decade.
Review: Franz Ferdinand – Always Ascending Read More »
It’s become cliché to call Little Dark Age a “return” for MGMT, but the album shows once again that the duo can make great, readily enjoyable music that still feels genuine.
Review: MGMT – Little Dark Age Read More »
It’s not a stretch to say that most tracks on Semicircle could have fit elsewhere in the band’s discography, and few tracks from the Go! Team’s back catalogue would feel out of place on Semicircle.
Review: The Go! Team – Semicircle Read More »
Whenever Brand New makes an announcement or otherwise enters public discourse in some way, you’re almost guaranteed to hear someone reminiscing about their high school days. This is understandable, since Brand New and fellow Long Island emo titans Taking Back Sunday wrote some top-notch tracks that perfectly encapsulated teenage angst. Brand New’s 2001 debut Your
Review: Brand New – Science Fiction Read More »
Originally, I planned to write this review like any other. I was going to talk about how Arcade Fire went from being a relatively unknown Canadian indie rock band in the mid-2000s to winning Album of the Year at the 2011 Grammys for their excellent album The Suburbs. I was going to mention how
Review: Arcade Fire – Everything Now Read More »
Broken Social Scene were the band to be a decade ago. They had two critically acclaimed albums under their belt: 2002’s You Forgot It In People and 2005’s Broken Social Scene. They had a devoted enough following to sell out three nights in a row at the same venue. And perhaps most importantly, they became
Review: Broken Social Scene – Hug of Thunder Read More »
There’s a general consensus in music that you need multiple musicians to form a band, while an individual is considered solo artist or a singer-songwriter. If only it were that simple. Multiple indie acts over the years have muddied these definitions, making it difficult to tell where the line is drawn. Bright Eyes revolved
Review: The Drums – Abysmal Thoughts Read More »
When Phoenix hit it big in 2009 with their hits “Lizstomania” and “1901” off the album Wolfgang Amadeus Phoenix, there were a couple surprises in store for their newly-acquired legion of listeners. First, that the band had been around for quite a while – Wolfgang Amadeus Phoenix was actually their fourth album (they released
Review: Phoenix – Ti Amo Read More »
The ungoogleable band !!! (pronounced ‘chk-chk-chk’) has long been a prime candidate for a “best of” album. Their studio albums to date have been decent enough, but each contained one or two tracks that blew all the others clear out of the water. Just to name some examples, their self-titled album had “KooKooKa Fuk-U,” Louden
Review: !!! – Shake the Shudder Read More »
It’s easy enough to describe the New Pornographers’ music. Over the course of six studio albums released in just under a decade and a half, the band has created an incredibly distinctive style of upbeat indie rock filled with pop hooks and singalong choruses. Pinning them down is something else entirely. The New Pornographers are
Review: The New Pornographers – Whiteout Conditions Read More »
Ah Conor Oberst. Feels like it was just the other day that I was writing about him… Oh wait, that’s because he only released the album Ruminations in October of last year. If you’re thinking five months is a relatively short gap between albums, realize that Ruminations was a fairly bare bones release. It consisted
Review: Conor Oberst – Salutations Read More »
You must be logged in to post a comment.