Review: Bag Raiders – Horizons
After nine years, Bag Raiders are back and have taken a chill pill on Horizons.
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After nine years, Bag Raiders are back and have taken a chill pill on Horizons.
Review: Bag Raiders – Horizons Read More »
!!!’s eighth album packs a punch, but not a Wallop
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On third album Inflorescent, Friendly Fires mark their return with their most danceable (and most mindless) album yet.
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Bon Iver’s fourth album i,i is full of solid tracks we’ve come to expect from them, but is also their first release that might make you think “let’s not get ahead of ourselves.”
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“Let’s Rock” had everything needed to be groundbreaking, but instead, it’s the closest the Black Keys have come to making a stereotypical Black Keys album.
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Help Us Stranger might not break new ground for the Raconteurs, but you’ll still be glad the gang are back together after 11 years.
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A Bath Full of Ecstasy is a compelling album that has some of Hot Chip’s best dance tracks to date, but it often falls back into comfortable territory for the group.
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The National’s eighth album I Am Easy to Find is not just an introduction to a new sound for the band, but also one of the most powerful albums you’ll hear this year.
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Although Father of the Bride can feel overwhelming at times, you can hear the years of labor that went into it, and it provides a robust start to a new chapter for Vampire Weekend.
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Compared to past Drums albums, Brutalism sounds more focused, more personal, and for better or worse, more like the concept of a single individual.
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Lux Prima is the rare collaboration that highlights both artists’ strengths without showing compromise from either.
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Everything Not Saved Will Be Lost Part 1’s skillful incorporation more of electronic elements than Foals have ever used before will leave you pumped for volume 2.
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