Review: Bright Eyes – Five Dice, All Threes
Even though Five Dice, All Threes is a solid effort from Bright Eyes, it also doesn’t really offer anything you haven’t heard before.
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Even though Five Dice, All Threes is a solid effort from Bright Eyes, it also doesn’t really offer anything you haven’t heard before.
Review: Bright Eyes – Five Dice, All Threes Read More »
On the Voidz’ third album Like All Before You, the band’s experimentation gets distilled into…autotune and muted vocals?
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Jamie xx’s long-awaited second album In Waves forgoes the variety of its predecessor to go all-in on being a great dance album.
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Toro y Moi’s eighth studio album Hole Erth is surprisingly monotonous, but a scattering of great songs saves it.
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On their fourth album Romance, Fontaines D.C. step away from the darkness and into the 90s and early 2000s.
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No Name is the closest we’ll get to a seventh White Stripes album, and is arguably White’s best solo release.
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The Decemberists’ ninth album As It Ever Was, So It Will Be Again revisits the traditional Americana sound of The King is Dead, with a few twists.
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All Quiet on the Eastern Esplanade is the first Libertines album that’s just “fine.”
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Only God Was Above Us succeeds by being more expansive than early Vampire Weekend and much more cohesive than Father of the Bride
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MGMT’s fifth album sounds nothing like its predecessor Little Dark Age, and shows a previously unseen, more vulnerable side to the duo.
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The Smile’s second album Wall of Eyes will both sate Radiohead fans and raise their anxiety about seeing the legendary rock band re-form.
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The Vaccines sixth album Pick-Up Full of Pink Carnations is an incredibly safe return to form for the band.
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