Review: Bloc Party – Alpha Games
Alpha Games fortunately returns Bloc Party to their indie rock roots, showing off a new kind of energy for the group.
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Alpha Games fortunately returns Bloc Party to their indie rock roots, showing off a new kind of energy for the group.
Review: Bloc Party – Alpha Games Read More »
Skinty Fia’s distinction comes from its cohesion, lacking the noticeably different styles of Fontaines D.C.’s first two albums.
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Fear of the Dawn brings Jack White back from the precipice of his experimental misadventures, without taking things all the way back.
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Destroyer’s 13th album Labyrinthitis often takes unexpected turns in the most intriguing and enjoyable ways possible.
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For a dark album born from an acrimonious time, Band of Horses are surprisingly in top form on Things Are Great.
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If you’re an already-established Broken Social Scene fan, Old Dead Young: B-Sides & Rarities is essential listening
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The Vaccines’ fifth album Back in Love City expands their sound even further, doing so from the most unexpected of places.
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The Killers’ seventh country-fied album Pressure Machine is about as far as you can get from the bright lights of Vegas
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Modest Mouse’s seventh studio album The Golden Casket mashes the band’s radio-friendly and downright weird sides together, to say the least.
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You might not have even noticed they were gone, but Islands are back and better than ever on Islomania.
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Is 4 Lovers has the trappings of a new Death From Above 1979 to lead us into the 2020s, but spends most of its time recalling the band’s early intensity
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Serpentine Prison shows a new side of Matt Berninger, but it’s hard to imagine anyone other than existing fans of the National picking it up.
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