Review: Beirut – Artifacts
Artifacts highlights both Condon’s maximalist, full-sounding folk side and his scaled-back electronic side, making it a great introduction to Beirut.
Review: Beirut – Artifacts Read More »
Artifacts highlights both Condon’s maximalist, full-sounding folk side and his scaled-back electronic side, making it a great introduction to Beirut.
Review: Beirut – Artifacts Read More »
Bon Iver’s fourth album i,i is full of solid tracks we’ve come to expect from them, but is also their first release that might make you think “let’s not get ahead of ourselves.”
Review: Bon Iver – i,i Read More »
As Panda Bear’s most experimental album in 15 years, the largely acoustic guitar-based Buoys is soothing, subdued, and ultimately stale.
Review: Panda Bear – Buoys Read More »
Gallipoli might promise visions of European sophistication and exoticism, but its already well-explored musical terrain makes it feel much more familiar.
Review: Beirut – Gallipoli Read More »
I’ll Be Your Girl occasionally shows signs of brilliance, but its indecisiveness results less in ingenuity and more in blandness.
Review: The Decemberists – I’ll Be Your Girl Read More »
It’s been nearly a decade since Bon Iver first released music that made their name a cultural touchstone, or at least an indie music touchstone. If that seems like a strong word choice, realize that many see frontman Justin Vernon as the perfect indie music archetype or stereotype (depending on who you ask). In a
Review: Bon Iver – 22, A Million Read More »
As controversial as they are, musical genres help us better express what we listen to and find artists similar to those we already enjoy. In general terms, you can say you enjoy “rock” or “hip-hop” or “country.” With indie music, you might say “this has a folk sound” or “this is garage rock” or “this
The Top 10 Ridiculous Indie Subgenres Read More »
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