Review: Alan Palomo – World of Hassle
World of Hassle takes a half-step away from the sounds that made Palomo famous with Neon Indian, cautiously exploring an all-new style.
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World of Hassle takes a half-step away from the sounds that made Palomo famous with Neon Indian, cautiously exploring an all-new style.
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Phoenix’s seventh album Alpha Zulu is their first release that could be categorized as just “synthpop,” which the band surprisingly pulls off.
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Metronomy’s seventh album Small World takes a big step away from their electronic roots, with underwhelming results.
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We Will Always Love You’s embrace of musical guests makes it a good pop album, at the expense of the Avalanches’ presence and charm
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Making a Door Less Open is essentially Car Seat Headrest’s way of saying “screw it” to the hype and doing what they want.
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The synthpop of UR FUN make it the most accessible of Montreal in some time, though longer-term fans may be less easily impressed.
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As their most expansive album ever, Metronomy’s sixth album Metronomy Forever is the electronic act’s magnum opus, or at least tries to be.
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After nine years, Bag Raiders are back and have taken a chill pill on Horizons.
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!!!’s eighth album packs a punch, but not a Wallop
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On third album Inflorescent, Friendly Fires mark their return with their most danceable (and most mindless) album yet.
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A Bath Full of Ecstasy is a compelling album that has some of Hot Chip’s best dance tracks to date, but it often falls back into comfortable territory for the group.
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Outer Peace sounds exactly as zen as you’d imagine, and its new sounds and introspective lyrics show that for Toro y Moi, serenity can still come with a sense of adventure.
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