Review: Alan Palomo – World of Hassle
World of Hassle takes a half-step away from the sounds that made Palomo famous with Neon Indian, cautiously exploring an all-new style.
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World of Hassle takes a half-step away from the sounds that made Palomo famous with Neon Indian, cautiously exploring an all-new style.
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Phoenix’s seventh album Alpha Zulu is their first release that could be categorized as just “synthpop,” which the band surprisingly pulls off.
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Freakout/Release ups the ante on what to expect from Hot Chip’s tracks without upending what to expect from a Hot Chip album.
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WE is a finely crafted album that shows off what has made Arcade Fire so celebrated, with a few stumbles.
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Destroyer’s 13th album Labyrinthitis often takes unexpected turns in the most intriguing and enjoyable ways possible.
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Metronomy’s seventh album Small World takes a big step away from their electronic roots, with underwhelming results.
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While Time Skiffs breathes new life into Animal Collective, it doesn’t really excite.
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We Will Always Love You’s embrace of musical guests makes it a good pop album, at the expense of the Avalanches’ presence and charm
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Making a Door Less Open is essentially Car Seat Headrest’s way of saying “screw it” to the hype and doing what they want.
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There’s a few hiccups and a few highlights, but Aporia otherwise takes you on a pleasant albeit innocuous journey.
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Combining the electronic psychedelia of Currents with ruminations on time slipping by, your future self will thank you for giving The Slow Rush a listen.
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The synthpop of UR FUN make it the most accessible of Montreal in some time, though longer-term fans may be less easily impressed.
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